I haven't posted anything in a while and I haven't been in the mood to write since I submitted the thesis but the next year will bring lots of new things to write about.
Take care and hope to see you soon!!!
Feliz Navidad!!!
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This is the place where I will try to pour down some of my ideas, interests and mostly all of my incoherent ramblings. W e l c o m e to the tales from ALBION
With the wind, the rain and the cold also come the Gluhwhein, the merry songs, and the FIREWORKS!!! So be ready with your camera to capture the moment, in this post I’ll try to help you get the best results.
I took the image above during last year’s Switch-On in Manchester. I’ve received many nice comments and lots of views, here I tell you how to get something similar.
Find a Good Spot
Every year I see lots of people trying to get to the very front, what’s the point? If what you really want is to get good firework pictures then you want to be farther away. You really need to give some space between you and the fireworks so you can catch’em.
Carry a Tripod
I know, I know, I also hate lugging stuff around. However this is a time where the tripod is your friend. You will need long exposures to get the fireworks and give them time to spread-out in your frame so, don’t be lazy for once ;¬)
Get a Wide-Angle Lens
If you are using a DSLR get a wide-angle (10mm), you really need a lot of space to make the fireworks fit on your frame. If you are using a P&S or a compact camera then don’t worry, your lens is already wide enough.
Avoid Touching the Camera
Chances are that it will be dark enough and the movement you generate while pressing the trigger (even when using the tripod) will be unnoticeable. However, it is best if you are using a cable or ratio trigger (if you have a DSLR), or just set your camera on the timer. Even P&S now have an option for a 2sec delay, that will do.
Long Exposure and Aperture
As I said above, you need to give time to the fireworks to explode and spread in your frame, so you need to work with long exposures. How long? to be honest it is trial and error. For the image above I used 4 seconds. You also want to get a good depth of field. I won’t get into details but try to increase the number in the aperture as much as you can without getting ridiculously long exposures (you don’t normally want to get above 10secs).
Remember the long exposure will give you a better chance to capture the fireworks. But the longer it gets the more fireworks will get cramped in your frame so it is a matter of taste and it will depend on how big the area is and the firework programme.
A Starting Point
If you like the image above and you will be facing similar conditions, then this are all the settings I used. They could be a good starting point for your first frame :D
Exposure: 4 seconds Aperture: f/16 Focal length: 10mm ISO speed: 200 |
Now go out and shoot and don’t forget to share with me your results. I hope you find this helpful.
“A good photograph is one that communicate a fact, touches the heart, leaves the viewer a changed person for having seen it. It is, in a word, effective”. IRVING PENN
I have been very busy so I couldn’t post this earlier. By now my very scarce readers should know that I love photography and very specially “portraiture”. Well, this post is to remember one of my favourite portrait photographers.
Irving Penn, passed away on 7th October 2009. Just one day after my birthday -- did I forgot to mention it was my BDay? Anyway, Irving Penn is a celebrated name in the world of portraiture and fashion photography. He was one of the first photographers to pose his subjects against a grey or black backdrop to great effect. I love his portraits because they are full of contrast and drama.
Below some of my favourites:
Pablo Picasso
Truman Capote
Gisele Bundchen, 1999 (Auctioned for $193,000 at Christie’s)
Kate Moss, 1996 (Auctioned for $97,000, Christie’s Images Ltd 2008)
Vogue Cover (Jean Patchett, New York, 1950)
No, I’m not in Venice enjoying life ;¬) I’m at home working hard to finish the thesis on time (this is just a short -–and very needed-- break).
I’d also like to congratulate my friend Francisco (aka El Paco) who just submitted last Friday. He better start writing again in his blog. I hope to be in that situation in the following months. I have to say that even though I’m happy he submitted, I feel the pressure even more on my shoulders. We started the PhD at the same time and this really feels like things are coming to an end.
I’m not particularly afraid of change but still…
… things will never be the same.
(writing this post was an excuse to tryout the “windows live writer”, so far so good.
She made a run for the alleyways near the canal in a desperate attempt to lose him. She had no clue on his intentions but had no plans of finding out, not with the news she read this morning – “Sixth victim of the Jackal found in a dumpster” – suddenly the idea of walking back home with the obnoxious Johnny from the office didn’t sound too bad.
Amanda was kicking herself for not driving to the club tonight; drinking and driving seemed like an excellent idea at that moment. Wearing those high heels was not helping either – she was proud of her legs and those heels were the perfect final touch, so much for that now! She stopped a moment to listen … nothing … “where’s everyone?”… no sound! … “maybe I lost him!”… two more steps… damn clacking noise! … a shadow!! … silence.
Amanda was nowhere to be seen, only a couple of rain-washed blood drops that went unseen by the inspectors searching the alleyways…
"“What the hell does that fish mean?” ... "It's a Sicilian message. It means means that Luca Brasi sleeps with the fishes"”
"Because I want to take good pictures!"
Sensor Size: just as a reference, popular compact cameras have a sensor around 0.5 cm2 (0.45 on the new Fujifilm F200EXR and 0.43 on the canon G10). In comparison a midrange DSLR like the 40D has a 3.3 cm2 and still it's pretty small when compared with an 8.64cm2 sensor of the fullframe Canon 5D MKII (same as in the Nikons' D3 and D700). You do the math, megapixels mean shit under those circumstances! there is just no comparison [Click here for more info]
"La ciudad de los palacios es ahora la ciudad paralizada, desolada unas cuantas gentes con cubreboca (los que tengan posibilidad de conseguirlos) mirándose unos a otros desconfiando de todos, prohibido escupir, toser, tener fluidos nasales, cuanto tiempo pasara para que superemos esto.
No concibo ver esta ciudad sin gente, sin músicos callejeros, con estadios vacios, no hay lugar para tomar un café con los amigos, o un buen tequila en una cantina del centro, nos sentimos solos, ni siquiera nos vemos entre familiares, hasta de ellos desconfiamos, y esa esencia que nos caracteriza a los mexicanos se quedo atrás del cubrebocas, la gente no ríe, no platica, que pensaran, tienen la mirada ausente, que tanto cruza por su mente que hay momentos en los ojos se llenan de lagrimas, así es como se manifiesta el miedo".
"The City of Palaces is now the paralysed city, desolated, a few people with mouth covers (if they managed to find them) looking at each other, suspicious of everyone -Prohibited to spit, to cough, or to have a running nose - how long would it take to overcome all this?
I cannot see this city without people, no street musicians, vacant stadiums. There are no places to have a coffee with some friends or a good tequila. We feel alone, we can't even trust the family.
That essence characteristic of the Mexican people was left behind the mouth cover, no laughs, no chatter. What are they thinking? they have a vacant stare. What's in their minds that at moments they have watery eyes. That is how the fear shows itself".